Bundanon

Dobell Foundation Artist in Residence Award

Each year the Dobell Foundation provides funding for an award that supports one visual artist to take up a residential studio as part of Bundanon’s Artist In Residence program.

The award is made based on the artist’s work, their proposed project, and what they aim to achieve both during and as an outcome of the residency. The award provides a stipend for the participating artist and a financial contribution to Bundanon.

This is a competitive program. Artists’ applications are short listed by an independent assessment panel at Bundanon and the Foundation decides which of the selected candidates will receive the award.

Recent Artists in Residence have been:

  • Sarah Rayner and Sophie Carnell 2022
  • Helen Pynor 2023
  • Seth Burchill 2024

2024

The 2024 scholarship was awarded to artist Seth Birchall.  The Dobell Art Foundation is pleased to share his report, and images from his residency, below.
 
“During my two weeks in the Fern Studio at Bundanon (25 March to 7 April), made possible by the generosity of the Dobell Foundation, I had the opportunity to slow down and focus. I spent my time walking, reading, sketching, and painting small gouaches. I also allowed myself time to build on my research images, develop ideas around colour, and return to a daily drawing practice, keeping things simple. The solitude allowed me to set aside distractions, providing valuable space for reflection and clarity. I was able to engage deeply with my work in a way that wouldn’t have been possible in my daily life, fully appreciating both productive and quiet moments. It was a time to recharge, gain fresh perspective, and return with renewed energy to continue my creative work.”

You Must Look After Your Friends, 2024, 1680 x 2750cm, oil on canvas, (Diptych)

Studio Portrait II. Photo by Jessica Maurer

Fern Studio Desk

2023

The 2023 scholarship was awarded to artist Helen Pynor.

Residency Notes by Helen Pynor
While in residence at Bundanon I developed my project exploring the interspecies ‘companionship’ between animals and minerals, and more specifically the animal-calcium ‘kinship’ that has led to the evolution of bones. I spent time studying animal bones on-site at Bundanon, especially wombat and kangaroo bones, marsupials who are resident in magnificent abundance. I am using native fauna bones to make bone china objects, bringing into dialogue two seemingly incongruent ideas: the ‘animality’ of bone china, and the ‘minerality’ of animals. I’m interested in the metaphoric and deconstructive gesture this offers, revealing underlying structures of material connectivity between animal and mineral, living and non-living, not immediately available to our senary perception. My project also explores forms of listening (human, marsupial, bird) and forms of paying homage.

The 2 weeks I was in residence at Bundanon offered me an intensive, immersive, uninterrupted time to sink into the imaginative and material spaces of the project, and forms of nourishment that are unique to this place. I’m beyond grateful for the opportunity and wish to thank the Sir William Dobell Art Foundation and the Bundanon Trust for their generous, timely and thoroughly ‘on-topic’ support. I feel myself part of a long line of artists, stretching into the past and future, who have been and will be nourished by this place, which in itself was comforting, generative and inspiring.

Habitation

2021

Unglazed bone china (made from the artist’s bone removed during surgery, supplemented by animal bone), unglazed earthenware, felt, coral, metal, acrylic, archival pigment prints, lightboxes.
Dimensions variable
Photo: Helen Pynor

2022

The 2022 Dobell Artist in Residence Award went to a collaborative duo of ceramicists, Sarah Rayner and Sophie Carnell. 

“Thank you so much to the Dobell Art Foundation. It is humbling to know that our work is seen as worthy of this generous scholarship.”